Dad's Take:This is another album that shows that the list we're basing our reviews on comes from Britain, where this album charted much better than it did in the U.S. That said, I like Leonard Cohen and his songs.
The problem is, the album suffers from a sameness between songs that makes it hard to get through without getting bored, unless you listen very closely to the poetry Cohen sets to music. But that's kind of the point. This isn't an album for casual listening. It demands attention to Cohen's often poignant story poems set to music.
"Suzanne" is the obvious classic here, along with "So Long, Marianne," but the rest of the album is worth a listen, in the right mood. My favorite, beyond the two classics, is probably "Hey, That's No Way To Say Goodbye." The acoustic music is played well throughout the album, but often doesn't differ much between songs, although if you listen closely there are interesting things happening in the arrangements. Cohen's droning chanting of his poems also doesn't change a lot from song to song, but he's easier to listen to here than in later albums when his voice became little more than a deep growl.
When I listen to my collection on shuffle, I always enjoy the Cohen songs when they pop up. Listening one or two at a time is a great experience. So is listening to a career-spanning collection, where his voice and music change over the years. Unfortunately, by the time I reach the end of this album when listening to the entire thing--which I've done several times because, when it comes down to it, I'm a sucker for stories about strange, sad people-- I become somewhat numb and don't give the songs the attention they deserve. It gets better with repeated listenings, when the subtle differences between songs start to pop a bit more and it becomes more clear how much is going on in each of these songs.
If you like story songs and poetry, check this one out. If you want a good beat, this isn't your album. And if you're looking for something to party to, an album of mellow, depressing stories isn't right for you. Well, at least not until you're wasted and everything sounds deep.
All that might not sound like much of an endorsement, but I like this album. The stories are good if you can keep your attention focused, and the musical arrangement are actually more varied and interesting than they sound the first time you listen or if you don't listen closely. This might not rank up there with my favorite albums, but when heard at the right time, I really enjoy it.
Brad's Take:
"Suzanne" is such a pretty song. I love everything about it. The female background vocal on the chorus was especially great. "So Long, Marianne" and "Hey, That's No Way To Say Goodbye" are also really great. And again, the background vocals really help make these songs shine for me. I don't know who she is, but she has a really pretty voice.
I wouldn't say there's any bad songs on this record, but there aren't a lot of songs that I love individually either. However, I really like the overall mellow feel I get from listening to the album as a whole. I don't think I would like it this much every day, but this evening it's hitting the spot. It's definitely a mood record, and right now my mood is: Sleepy.
Most of the songs on this album are basically two songs. The casual listener who just listens to this as background music or something will probably just hear Leonard's voice and an acoustic guitar on most of these songs. But those who put on headphones and give this record a focused listen will hear a lot of other instruments that kind of hide out in the background a little bit. The production on this album carries every song perfectly. It never overshadows the actual skeletons of the songs, but it puts just enough meat on the songs for it to be attractive to the ears.
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