"The Doors" by The Doors (January, 1967)

Dad's Take:

1967 opened with The Doors breaking through to the other side, the first classic album in a year full of experimentation, rule-breaking, psychedelia, and the summer of love. This would be a year dominated by Los Angeles and San Francisco, although the UK and other places would make their presence known.

Say what you will about Jim Morrison not having much of a voice, he had a power and a way of presenting a song. Over confident, swaggering, bigger than life. Whether stoned, angry (and probably still stoned), or whatever, his was the right voice for the drugged-out world of '67, especially when mixed with enough electric organ.

The Doors is one of those records that demands your attention. It's hard to do something other than listen. This is commanding music. There are the singles ("Break On Through (To the Other Side)" and the number one smash, "Light My Fire"), of course, but many of the other songs on the album have become bonafide classics. This is the era, remember, when albums had become more important than singles, at least for those artists who wanted to transcend pop. Songs became too long for the radio. The 7:06 "Light My Fire" was shortened considerably for AM radio play, with the long instrumental break and organ solo becoming the main casualty of the need to play more commercials. The Doors is truly a classic album, not just a collection of great songs but a coherent (well, mostly, I guess depending on your definition of "coherent") whole with a sound of its own.

If you know The Doors from their songs but not their albums, you'll be surprised how much of this record you know, even if you don't recognize the song titles. The album has become a cultural artifact, an icon of its time, the model of the heavier side of the year that gave us the Summer of Love with its sparkly psychedelic pop and folk rock. Unlike some of the music of that "heady" time, The Doors still holds up as something more than nostalgic. It really is a great album, the kind that you can even recognize as great if you don't really care for it personally. I happen to like it, even if The Doors don't rank as one of my favorite bands. This is just great music, with undeniable power.

Brad's Take:

The Doors are the epitome of a drugged out 60s rock band. This band was made for Woodstock, fuzzy posters, and black lights. This kind of music is totally outside of my comfort zone, but I liked it for what it is.

This album has a bit of everything from the era. Including, but not limited to: blues influenced rockin' singles, slow songs to sway to in a weird drug-induced manner, long guitar solo/jammy parts, experimental moments, lots of organ, and a shirtless front man for the sober people to drool over.

Jim Morrison had a great voice, and the instrumentation on this album is great. I really only liked a small handful of songs from this album though. "Break On Through (To The Other Side)," "Soul Kitchen," and "Back Door Man" were the only songs that really kept my attention and had me excited. The others just didn't grab me as much.

"Green Onions" by Booker T and the MGs (October 1962)

(Note: I noticed when I was nearly finished with this one that our MP3 files are misnamed for this album, so any titles that are mentioned, especially in Brad's review, are likely incorrect. For example, when Brad writes about "Mo Onions," he really means "Green Onions." "Stranger on the SHore" is actually "Mo Onions." I hate it when that happens. --Dad.)

Brad's Take:


Tina Turner, Ray Charles, Booker T. and the MGs... Wait, what?! Green Onions??? This obviously came out of complete left field for me. I've never heard of this group before, and I immediately laughed at the ridiculous album name and cover art. I didn't know what to expect before I put it on, but I eventually stopped laughing, sat back, took a deep breath, and hit play...

This isn't what I expected an album called Green Onions would sound like. Booker T. Jones fronts the instrumental R&B band with his trusty organ. His band, his MG's, shines just as much as Booker, but that organ is definitely the loudest instrument on the album showing that it's the true star.

I didn't know what to make of this album for the first few songs. It's just wild organ-lead blues songs that make your foot bounce like crazy. It wasn't until track 4 ("Mo Onions") when I recognized a song. I remember that song being in one of my favorite childhood movies, The Sandlot. I'm just impressed that I actually knew a song from this band! I thought "Stranger On The Shore" was another one I knew, but then I realized it's basically just the same as "Mo Onions." Almost an identical bassline, and the same chord progression.

In the end, I surprisingly really liked this album a lot, for what it was. The organ sound gets a little irritating after a few songs, but fortunately when the headache begins to start, the next song is one that isn't so organ driven. So you have time to let your eardrums heal for a couple minutes. After laughing at the band and album name, and the ridiculous cover, I have learned the ways of Booker T. and the MGs.

Dad's Take:

I, of course, am very familiar with the hit, "Green Onions." I've no doubt heard it hundreds of times. And I know that Booker T and the MGs are in the Rock and Roll Hall of Fame. I've also heard them described as the ultimate studio backing band. But I still only know the one song. So I wondered what it was about that band that could possibly place them on a list next to so many other great albums.

I can see why they had so much success as a backing band. They have a tight sound, with excellent musicianship, and an interesting roots-music sound behind that ever-present organ.

It's curious that they put "Green Onions" and the very similar "Mo Onions" on the record. This reminds me of the two versions of "The Banana Boat Song" with different names on the Belafonte album we listened to earlier. I guess two onions are better than one. But I think I need a good, strong breath mint.

If I were to rank all the albums we've listened to so far, this one likely would not finish in the top half. It's not that I don't dig it. These are some excellent blues and R&B jams with some very cool guitar playing, but I guess I prefer my electric organ in smaller doses. I've always liked that early sixties organ sound, but this is an awful lot of a good thing. It's kind of like cake: the first few bites are heavenly, but the rest of the piece is, well, just cake.