Thursday, December 8, 2011

"Joan Baez" by Joan Baez (October, 1960)

Dad's Take:

It's interesting to follow an established folk trio with the debut from one of the quintessential new breed of folk singer who arose in the early sixties. Joan Baez signaled the new era of the bare bones solo singer-songwriter (a little ironic since the songs are mostly folk standards, not Baez originals).

This album was recorded in a hotel room, with Baez, her guitar, and guitarist Fred Hellerman. It exhibits the folk sincerity that is sometimes parodied when people make fun of folk, but the performances are strong. Where blues and jazz records might conjure up the feel of a smoky bar room, this style of folk evokes a Greenwich Village coffee shop, full of beatniks and soon-to-be hippies, navel gazing and trying to out-deep each other in conversation. Not that there's anything wrong with that.

Baez has that prototype young woman singer-songwriter voice that continues to this day. It's not one of my favorite voices, but it works perfectly with the songs and simple arrangements of the material. Her best work was yet to come, but this record is a solid announcement that a new musical force had arrived. This doesn't feel like a debut. In classic folk songs like "Donna, Donna," "Wildwood Flower," and "House Of The Rising Sun," the 19-year-old Baez performs with confidence and sincerity, opening the door for the great new folkies of the sixties.

Brad's Take:


This sounds like it was recorded today. I had to double-take that it really was released in 1960. Like my old man said, her vocal style is copied in a lot of today's female fronted folk music. It, too, isn't my favorite vocal style ever, but it works for what it is. VibratoOoOoOoOoOoOo! I can see the flower people poking their heads out from behind the trees wondering what this new sound they're hearing is.

I have never been a big fan of singer-songwriter kind of folk music. I'd take the Kingston Trio over this any day. I didn't love this album. I didn't even like it, really, but I can see why it is a classic album. It's a style that was new and fresh at the time, but became a leading one near the end of the 60s.

It isn't bad. It's just not my cup of tea. All the new-school indie kids and hipsters would love it though.

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