Once again, we have a soundtrack to review. I have never seen the actual Broadway show or film South Pacific so it's kind of hard to get really into this.
The film stars Rossano Brazzi and Mitzi Gaynor, but apparently for the soundtrack, Brazzi's vocals were overdubbed by Giorgio Tozzi. I'm actually interested in watching the movie because I would love to compare Brazzi's voice to Tozzi's. Giorgio Tozzi sounds way too much like Dracula. I can't take his vocals seriously at all. I just imagine Dracula trying to re-invent himself by starring in a romance movie to show the world that he actually does have a sensitive side that wants love... not just blood.
The orchestration is good, and Mitzi Gaynor's voice is great, but the vocals by Dracula Tozzi are "bloody" distracting (in a bad way, if I haven't made that clear yet.) There are some good songs though. I like "I'm Gonna Wash That Man Right Outa My Hair." I can imagine that was every teenage girl's anthem when their boyfriend's were jerks.
I didn't really get into this album much at all. I feel like there are probably far better soundtracks that could have taken the place of this one in 1958, but for what it is, it's better than "okay" but I wouldn't call it a "classic."
Dad's Take:
Great. Now I'm going to hear Dracula, whether I want to or not. Thanks, Brad.
I've seen "South Pacific," of course, but I can't claim to know it very well. We used to listen to the Hi-Lo's version of "Bali Ha'i" before a play I was in in high school, so that's the song I know best, in a much different version.
And, yeah, I hear Dracula. Thanks again, Brad. Bela Lugosi singing "Some Enchanted Evening." Wow.
South Pacific is a great musical. It even became the first musical to win the Pulitzer Prize for Drama. Like most musicals, the songs make the most sense in the context of the play. Although there are some great songs here that stand on their own, most are best when watching the show or if you know the show well enough that the songs conjure up visions of the play.
"Bali Ha'i" is a great song (although I prefer the Hi-Lo's version, but then I'm a sucker for harmony vocals), as is "I'm Gonna Wash That Man Right Out Of My Hair" (which Brad is too young to associate with a certain TV commercial) and "Some Enchanted Evening." "There Is Nothing Like a Dame" sounds like Stan Freberg to me, but that's because Freberg is great at capturing the feel of a musical in some of his production numbers. "Honey Bun" is also a fun song.
"You've Got To Be Carefully Taught" is interesting now in light of its controversial nature when the musical came out, with it's justification of interracial marriage, which at the time was deemed indecent and "pro-communist" and a threat to the American way of life. The song inspired a bill in Georgia that outlawed entertainment that contained "an underlying philosophy inspired by Moscow" when the musical toured the southern United States. The writers of the musical refused to remove the song because it reflected the whole reason they wanted to do the play in the first place.
On its own, as an album, with only a weak mental context for the songs, and now with that vision of Dracula stuck in my head, it doesn't stand up as well on its own. But it's mostly an enjoyable listen anyway. I think Brad would like it more if he watched it instead of just listening. The songs are meant to be acted and danced, not merely listened to.
1 comment:
When I saw that you guys reviewed this it got me pretty excited. I got the chance to see it on Broadway, and at PGHS.
All I have to say is, as far as musicals go, this is a good one. We should definitely take Brad if the opportunity arises. Maybe seeing someone that doesn't sound like Dracula would be good for him :P
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