Morrissey calls this the "one truly great British album" but I can name a handful of other British albums that I'd rather listen to than this one again.
While For Your Pleasure isn't bad, by any means, it just didn't have a lot of tracks that I fell in love with. Not on first listen anyway.
"Editions of You" was the first song on here that really got my attention, and I fell more in love with it as it went on. Such a cool, fun, and rockin' song! It almost sounds like if the Rolling Stones had a synthesizer. I really liked that song a lot and will definitely be going back to it.
"In Every Dream Home A Heartache" is about a blow up doll, which is interesting. Kind of a cool song though that I'll probably find myself going back to. It's like how it fades out and then comes back in with a phasing effect on it.
Those two songs were the only ones that I really enjoyed. The others aren't bad, but didn't grab me the same way, but they still make a real solid album.
This is one of four Roxy Music albums to make the Rolling Stone 500 Best Albums list. It's also the last Roxy Music album to feature Brian Eno, who later became a pretty big name on his own.
And, I don't think I've ever listened to it. Go figure.
This is another of those kind of odd British albums that telegraphed what we were going to hear a lot in the eighties. It's sort of Bowie-esque or T-Rex-ish, but not quite exactly. I mean, they were clearly Glam Rock, but if all you do is listen without any visuals, you might hesitate to put them in that category. And then, some songs are obviously glam. It's really hard to imagine the eighties without these 70s glam bands. Then again, the eighties weren't exactly my favorite musical decade, overall, despite some stuff I really enjoy.
Like Brad, "Editions of You" was the first song to really grab my attention, probably because it's more of a straight-up rocker from the familiar R&B tradition.On the other hand, the slow, haunting "In Every Dream Home a Heartache" reminds me a little of the Vanilla Fudge version of "Season of the Witch," only without the creepiness..About halfway through, I'm kind of wishing there'd be some kind of change. And then, finally, there it is. The song starts to rock about three minutes in. That's one of a few songs that hearken back to psychedelia, which, of course, I like. The lengthy "The Bogus Man" is another of those psychedelic-tinged songs that held my attention.
I think my reaction is a little more positive than the boy's, but then, I survived the seventies and the oddness of much of the decade is nothing new to me. Three songs in, I'm enjoying this, but not loving it. I think this might be one of those more-than-one-listen records, to get through the initial impression and really hear it. But it does make me curious about their other albums. Really, I know them mainly for a few singles, like "Love Is the Drug." There's nothing here I dislike, exactly, but there's not a lot that grabs me by the, er, throat--yeah, let's go with throat.